Films like Victor/Victoria and Some Like It Hot are in essence non-subversive, despite their non-conventional interpretations of certain tropes, because of the narrative return to normalcy: they play off of homophobic anxiety and ultimately serve heteronormativity after accomplishing the task of denigrating homosexuality and allaying fears about it.[49] The themes present in both examples, from the access to forbidden knowledge to crossdressing as a means of deception, are submissive to the narratives abiding goal of maintaining a heteronormative status quo, so much so that films like The Rocky Horror Picture Show become the queer communitys sole pillar of good representation, no matter how problematic and self-destructive its content may be
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King Sayet is translated as "King Sayah", Mela is "Meira," and Ransa is spelled "Lanza." Queen Elle is rendered as "Queen Ayli"
